This weekend, I had the wonderful opportunity to share my process with colleagues and glass enthusiasts at the annual Glass Art Society Conference in St. Petersburg, Florida. In the months leading up to the conference, I prepared new work and found exhibition sites, practiced my demo and invited all of the extended glass family to join our community on the west coast of Florida. All the studios, museums and galleries around town were getting ready for the event, so there was a palpable buzz. I have to say, I am extremely proud of the job that everyone did. We shined like diamonds in the sun.
My demonstration assignment was at Zen Glass Studio in the heart of the Arts Warehouse District. They specialize in flamework but also have a hot shop and cold shop to professionally make glass projects on any scale. This studio happens to be owned by dear friends, who made me feel comfortable and took the anxiety away from performing in front of an audience. Everyone was there to get my torch set up, find the few things I needed, and set me up with a cup of coffee.
At 8:30 am on Thursday morning, I began opposite one of my mentors, Robert Mickelsen. He was set up outside and I was set up inside the same studio. No pressure. He was just the one who taught me how to pull a point in the first place and now I have created an entire installation around this technique. I felt as though my career had come full circle from the 19-year-old girl asking to sweep the shop so I could watch, to where I am today.
First, I started with a short explanation about my installation “Promise”–why I have felt inspired to collect found objects, shining a light on the value of nature in these uncertain times. Next, I selected a few pressed flowers and a seed pod to adorn with 22kt gold. Once they were drying, I grabbed a piece of recycled thin wall tubing and pulled down a point on one end. Repeating this process several times allowed the glass to cool down enough to add the gilded natural objects. One tube at a time, I cut an opening in the first point so as to not create vacuum pressure, then carefully directed the flame away from the pieces inside and closed the other end. When I had finished the second end of all six, I added hooks and flame-annealed them. Lastly, I closed the bottom of the point with a very soft flame.
In closing, I took a few questions and made the decision to donate these pieces to raise funds for the Glass Art Society. The support of this community has been paramount to my growth as an artist. I am always learning something new and ever curious of what role glass can play in my work. It was a wonderful experience to be a demonstrator. I am so thankful for the opportunity to share my work.
At 23, I was asked to help a fellow glassblower with a big stained glass window commission for a church. For this project I learned the copper foil method used in stained glass to connect shapes together with solder. My task was to cut out and wrap hundreds of small white glass shapes that made up the Angel’s wings. Then last summer, on a trip to Germany, I went out hiking and collected flowers. I pressed them in some art books. Once they were dry, I cut 2 pieces of sheet glass or mirror and added the flowers in between. I use this same technique to create these one of a kind flower window pendants. They will be soldered and have a hanging loop at the top to be displayed in a window or on the wall. As I feel with all objects that I find and incorporate into my work, these flowers remind me of a specific experience. They are a memory, a record of time– fragile and precious. I add 24 kt gold leaf and fine silver to add further value to the beauty and impermanence of nature.
These will drop into my ETSY shop as soon as they are finished. Flower Power!
Over the past year, I have developed a process resulting in a unique line of handmade jewelry and a feature in Belle Armoire Jewelry Magazine. This is a short how-to article I wrote about the idea, process, supplies and tips that I use to create lava and glass objects. Follow the link to see more! Hot Glass & Stone
Presenting Art Fair on the Water…
I will be showing a 63 piece installation of “Promise” in this unique venue on the water in Ft. Lauderdale. *Tickets are still available to attend the show* This event is not to be missed, please share with your friends.
This August, I am spending 3 weeks assisting a friend at a school called Bild Werk in Frauenau, Germany. This class is led by Anne Petters and is entitled Hot Printing. We are using flat plaster and silica molds, carving away material and filling the negative spaces with glass powder. The entire mold is then covered with clear frit and fused in a kiln. Some students are choosing to form or slump these pieces in a second firing, others are bring the flat mold up to forming temperature and manipulating the print hot using tweezers. Plenty of safety gear is involved and has made for some funny pictures. The class is having a great time and this village and facility are so wonderful. I look forward to continuing to work with this technique when I return home and hope to come back again someday! Below is an example of my work using this technique. Better pictures to come…
This is the first class that I will be teaching at Crealdé School of Art in Winter Park, FL this fall. Stay tuned for the updates that will be available this summer. This pendant is also a new addition to my Etsy Shop.
Glass, Found Object, 24kt Gold Leaf, Antique Brass, Copper,
I am very excited to partner with Renee Foosaner Art Center (Florida Institute of Technology) and Hospice of St. Francis to use my skills and glass knowledge to help teens move through grief.
Borosilicate Glass, Found Objects, 24 kt Gold Leaf
Wall Installation Sculpture
Event Link to the show at Fat Arts Village, Ft. Lauderdale